“In Thin Places, Edward Nudelman, a retired cancer researcher, brings a scientist’s keen observation and balanced equanimity to bear on our ‘ordinary’, if sometimes painful, human experiences. With gentleness and patience, Nudelman watches the doings of fruit flies, humming birds, and moles, as well as his mother’s progress into the wilds of Alzheimer’s disease. This book is, by turns, comic, joyful, and heart-breaking.”
Rae Armantrout
(One of the founding members of the West Coast group of language poets, Armantrout is the author of a dozen collections of poetry including Versed (2009), which won the 2010 Pulitzer Prize in Poetry, and Wobble (2018), which was a finalist for the National Book Award. Her most recent books are Finalists and Go Figure, from Wesleyan UP.)
Edward Nudelman’s full-length poetry collections include: Nonlinear Equations for Growing Better Olives (Kelsey Books, 2023); Out of Time, Running (Harbor Mountain, 2014); What Looks Like an Elephant (Lummox, 2011), and Night Fires (Pudding House, 2009). Poems have appeared in Rattle, Cortland Review, Valparaiso Review, Chiron Review, Evergreen Review, Floating Bridge, Plainsongs, Penwood Review, Poets and Artists, and many more. Awards include: finalist in 2019 Atlanta Review International Poetry Contest, shortlisted in 2019 Passager Poetry Contest, Second Place for the Indie Lit Awards Book of the Year (What Looks Like an Elephant), semifinalist for the Journal Award, OSU Press (Night Fires), and a Pushcart nomination. A Native Seattleite, Nudelman is a recently retired cancer research scientist, and owns/operates a rare bookshop (est. 1980) where he lives in Seattle, with his wife, dog and five Indian runner ducks.
THREE POEMS FROM 'THIN PLACES'
Man in a Green Field
I am not my father's elbow
or the shadow of his hips--
but I have his round lips
and penchant for pursing.
Career man though he was,
wrangling over annuities
and mutual funds, I often
found him wrestling
with the yard's entropy,
waging an awkward war
against disorder in front
of our suburban home--
pushing back the tall grass
in our ditch with a sickle
and a can of gasoline.
I'd admire the fire
from a window--
though once I crept
closer watching it burn
an arm's length away.
His weekends were spent
crafting our scruffy grass--
power-mowing perfect stripes
holding back the tide
of chaos with ardor.
He sold insurance
but worked the yard
in earnest like Sisyphus.
Backyard in April
Praise for kingdoms in a spoonful of stagnant
water, universes hidden in the shock of change.
For this flooded grass once a green cathedral
of clover and bee, now flattened and brown.
For drowned slugs with layers of beech leaves
floating over them like unused life preservers.
Praise for the duck pool brimming over
with brownish goo I dip both hands into
cupping palmfuls of water-bear and larvae,
unsung heroes vacuuming the smothering algae.
Praise for disarray and transition, this familiar place
run amuck that doesn't need me to succeed.
For ripples of hesitation waving through me
embracing the uncertainty of impermanence--
for gray hues, granite and silica, the wearing down
and building up of raw unfiltered essence.
And this dripping garden shed gently slumping
toward ruin, framed by a hemlock's green lace.
The Universe Is Expanding at an Alarming Rate
Lichen on trees convey the decay of time
through our collective consciousness.
Erosion grinds the loftiest mounts to sand.
For cosmologists or just you and me
the book of everything promises
constant and often unwelcomed change.
Margins of confidence and standard error
can be as small as a cell gone rogue
or as large as the field housing cosmos.
Hurtling through space, mass-energy
converts to wave; but still the soul grumbles,
dissatisfied with theoretical highbrow.
Only two things are infinite, Einstein warned
from his quasar: universe and stupidity.
The heavens unfold, but stupidity grows inward.
Wingless glider, the universe creeps further away.
The train arrives tomorrow before it leaves today,
whistling like a sonnet in perfect doppler.